INTERVIEW WITH ZVI MAZEL, ISRAEL´S AMBASSADOR IN SWEDEN AND DROR FEILER, THE ARTIST IBA RESHET BET, JAN. 18, 2004
Source: https://www.unitedjerusalem.org/donation.asp
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ANCHOR: Israel´s Ambassador Zvi Mazel. Good morning to you.
ZVI MAZEL: Good morning to you.
ANCHOR: So the morning after, how are the Swedish responding to what
you did?
ZVI MAZEL: I still do not have all the Swedish media, but as much as
I saw on the internet, the headlines in the newspapers are certainly
big.
ANCHOR: A harsh criticism of you?
ZVI MAZEL: Not exactly. There is still talk of the fact that there
was an attempt to harm the freedom of art, but there is certainly a
discussion in the Swedish media on the problem of Israel, with the
Palestinian suicide bombers. There are already people for and
against. There is a debate on the issue. A debate which did not not
exist before.
ANCHOR: Do you regret what you did?
ZVI MAZEL: No. Regret? Certainly not. Certainly not. This is perhaps
not traditional classic diplomacy, as people know, but neither is
Israel´s condition exactly classic. And therefore, it seems that
there is room for other options in such situations.
ANCHOR: Was it spontaneous? Describe to me that moment in which you
decided to do what you did?
ZVI MAZEL: The moment, in fact was very short. This was after I saw
what I saw, and together with my wife, we both trembled a bit and
then I turned to the manager of the event and asked him, and
explained the issue to him, and requested that he clear out this
exhibit. He said - no. And then I answered him calmly - if so, Sir, I
will do here something, and I approached and disconnected the
electricity.
At that very moment, it angered me a lot, and I asked -- what will I
do? And then I turned to the manager, and then I decided that I would
do it. At that moment.
ANCHOR: And indeed, as described, you couldn´t breath when you saw
this picture? Was it a physical reaction per se?
ZVI MAZEL: There was a reaction of trembling. Certainly a reaction of
a certain trembling. A person is standing, fever. The appropriate
word in Hebrew is fever. My wife looked at me. I looked at her and
around us, people from the embassy were standing, and others. We both
trembled with fever and froze, and then the brain began to work, and
we were stopped.
ANCHOR: And then you told the managers of the museum that this is the
second holocaust starting now?
ZVI MAZEL: Perhaps not in those exact words. I just explained what
happens in Israel when a male or female suicide bomber arrives, and I
said - this is not the place, this is not the time, and this is
certainly not connected to the International Conference which will
take place -- how to prevent a genocide. For there is an incitement
here to a genocide.
Please take it out, and we will end the issue and terminate it. And
then he said - no. And at that moment I said, if that the case, I am
going to do something. That´s it.
ANCHOR: The criticism actually in Sweden and also in Israel, is that
in Israel, you have much support - is that there is a sort of a
convention, that you do not harm art, you do not harm the freedom of
art, the freedom of expression, even if you do not agree with the
things.
ZVI MAZEL: Yes, and on this, by the way, I was interviewed a lot
yesterday, in the Swedish press, and this is one of the issues
handled today. What is art? If so, I claim, and I think that a lot
agree with me that art is determined by the viewers, watchers. We
determine if this is a work of art.
An artist never establishes that this is a piece of art, if he did
something, or if it has been placed in museum. The fact that
something is placed in the museum does not turn it into a work of
art.
A work of art, in German and in Swedish, end in the word ´kuntz´,
meaning something beyond the acceptable. All in all, there was red
water here, which represented blood, and a small ship that sailed,
and on it the picture of the female terrorist which turned into a
white Snow White.
There was clear political support of terror here.
ANCHOR: But in the eyes of Dror Feiler, good morning to you, by the
way Dror Feiler, you with us on the line, true?
DROR FEILER: I am with you on the line.
ANCHOR: Yes. In his eyes --
DROR FEILER: -- that the Ambassador is a liar!
ANCHOR: No. no. no.
DROR FEILER: He is a liar since he himself says completely different
things to the Swedish media. He says that he decided against the
display before he came to the museum. With an ad he saw in the
newspaper, which he did not try to check, which is not an ad, and not
a picture from our display. It is someone else´s display, by the name
of Michael Pon Hauswood, who received consent of the person in charge
of the entire exhibition. He did not check the things. He hides the
fact -
ANCHOR: What didn´t he check? He saw a female terrorist --
DROR FEILER: -- hold on a moment, let me talk. Hold on, hold on a
moment --
ANCHOR: -- you allow a terrorist, no no just a moment. Just a moment,
I am also allowed to intervene. You display a female terrorist as
Snow White with the smile of an angel.
DROR FEILER: -- no, I am not --
ANCHOR: -- which sails in a white ship, and you call it art!
DROR FEILER: -- Excuse me! I am not displaying a female terrorist,
named Snow White. I am displaying white hatred which floats on rivers
of blood, the same way that the terrorist floated on rivers of blood.
In the display there is a plaque that says that the terrorist killed
19 innocent people in Haifa. The names of the terrorist´s victims are
also in the display. For those who come to the display, there is
music by Johan Sebastian Bach that is called ´My heart flies and
drowns in blood´.
ANCHOR: But to take the blood of 21 dead and make an artistic display
out of it?
DROR FEILER: I want to show the cycle of blood that needs to be
broken. Only by breaking the cycle of blood can the two nations live
without both of them being victims.
ANCHOR: Can you understand what the ambassador did?
DROR FEILER: I can understand that the ambassador misunderstood the
message, even though I think that a diplomat should act better. He is
acting like the owner of a stand in some market in the Third World,
but I can understand that people don´t like and don´t understand
this. Not everyone can have a big enough ability to understand.
But to start to break things and to try and ruin others things - if
this is the kind of democracy that he wants to show from Israel, if
he wants to be part of the tradition of burning flesh and of banning
artwork, then by all means. If this is what he wants to show Israel
is like, then it is a shame. I, personally, am not against Israel. I
am for the State of Israel.
ANCHOR: Dror Feiler, I hear that you attend a lot of anti-Israel
events and give lectures on Israel´s character.
DROR FEILER: This is not true. I attend a lot of events that
criticize the policy of the Israeli government. I have nothing
against the State of Israel. The Israeli government´s current policy
is the greatest enemy of the Israeli people. It will result in the
idea of a Jewish State not being able to exist. This is because of
Israel´s policy. I am not inciting to murder and I am not inciting
suicide bombers. I am against this 100 percent.
(Crosstalk)
This can ruin people and bring them to a situation that they are so
desperate and crazy that they blow themselves up, blow up Israelis
and cause irreversible harm to their nation.
ANCHOR: Dror Feiler, I would also like to tell you that the artists
here in Israel - Yigal Tumarkin, you know him - he is one of the
great artists - say that an artist who presents this type of work
should be put in a hospital.
DROR FEILER: I say that when diplomats define what art is, and when
artists make medical diagnoses - we are in trouble.
ANCHOR: Mr. Ambassador, are you with us?
Would you like to respond to these things that Dror Feiler said?
ZVI MAZEL: I would like to respond to two things. First of all Dror
Feiler is the main anti-Israel activist in Sweden. In the past few
years before I got here, he was known as someone who stands outside
the embassy and passes out flyers against Israel. He appears in
lectures here and he writes articles and it is all against Israel.
Every second word of his about Israel are the words ´apartheid´
and ´racism´. He is Israel´s number one enemy and everything that he
does is Anti-Israel. His work comes from an Anti-Israeli soul and
heart. This is one thing.
Secondly, this is not a work of art. The viewers determine what art
is. I decide what art is. This is not art. This is perverse art at
the most and in my opinion, it is not art at all. It is a political
cry to glorify the concept of the suicide bomber.
ANCHOR: All right. Maybe one last sentence, Dror Feiler, before we
say good-bye.
DROR FEILER: I am saying it again. Everyone who wants to read the
things that I say can easily do so. I am saying this again. Since I
came to Sweden, I always said that the Israeli people have a right to
self-definition and they have a right to a Jewish state next to a
Palestinian state. I have nothing against the State of Israel. I have
a lot of things against the State of Israel´s policy exactly the same
way that I have a lot of things against the Swedish government´s
policy or the way I might have things against the policies of the
German government or the American government or the Russian
government. It is legitimate to criticize the State of Israel.
ANCHOR: Thank you.
DROR FEILER: It is a fact that the ambassadors are trying to incite
in such a way that will increase Anti-Semitism. They cause simple
people in Europe and in the world to say - how can people act in this
way?
ANCHOR: Thank you Dror Feiler. Mr. Ambassador, maybe one more
sentence.
Do you see what is happening…?
ZVI MAZEL: Maybe Dror Feiler gave me an answer now.
ANCHOR: Do you see in what is happening, a peak in the Anti-Semitism
that is washing over Sweden?
ZVI MAZEL: At this stage it is not final. There is an Anti-Semitic
movement here which comes mainly from Muslim sources. A few weeks
ago, a very harsh report was published on this by the Swedish
committee against Anti-Semitism, where it said that Sweden is one of
the most severe Anti-Semitic places and 131 complaints were filed to
the police by Jews in the past year. Teachers stopped teaching about
the Holocaust because Palestinian-Arab Muslim students would stand up
and react violently to teaching about the Holocaust. The situation is
definitely serious and not good.
ANCHOR: Israeli ambassador in Sweden thanks. END. (01/18/04)
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